Secondary Source

THE FIRST BRIDGE (1884): As early as 1874, residents and business owners petitioned officials in New York City and Westchester County (which governed the Bronx at the time) for a Harlem River bridge at 138th Street. After three years of studying not only the location of the bridge, but also what type of bridge should be built (whether a high fixed bridge or low moveable bridge), the New York City Parks Department, which at the time had jurisdiction over all bridges in the city, received a $100,000 appropriation from the Board of Estimate in 1878.
Between 1879 and 1881, engineer Alfred P. Boller and General John Newton prepared plans for the Madison Avenue Bridge. This planning was done in the context of improving navigation along the Harlem River. During this time, the New York City Parks Department put out various bids for constructing the bridge, which was estimated to cost $510,000.

Against the city's gleaming spires,

Above the ships that ply the stream,

A bridge of haunting beauty stands –

Fulfillment of an artist's dream.

Welcome to the Portland Bridges page, presented by Environmental Services, Oregon Department of Transportation. The bridges of Portland, Oregon are numerous and diverse. The structures, ranging in age from 27 years to 90 years of age, represent a variety of construction types including vertical lift spans, double-leaf Bascule drawspans, and the longest tied arch span in the world.

It was called the most beautiful bridge in the world. At the time of its 1931 opening, it certainly was the longest single span. To honor the engineering feat it represented, a stamp with its picture was issued, and the bridge became the subject of music, even a children's book.

Yet, a section of suspension cable for the George Washington Bridge in the collections of the National Museum of American History can only hint at such glories. Three feet in diameter and ten feet long, the massive cylinder weighs an ungainly 34,000 pounds. From its ends protrude 26,474 individual steel wires, compacted under 400 tons of pressure. Before computers, this experimental section helped engineers model the effects of compression on the finished bridge's cables. Today, it represents an engineering marvel, whose creation spanned half a century of depressions, politics and the passions of two of America's greatest bridge designers.

John Job Crew Bradfield was born in Sandgate, Queensland on the 26 December 1867; the son of John Edward Bradfield and Maria Crew.

He received the first part of his education at Ipswich State School and Ipswich Grammar School. Bradfield was the winner of the three exhibitions given each year by the Queensland government, which enabled him to study at Sydney University. He graduated as a Bachelor of Engineering in 1889.

Drury Blakeley Alexander (1924-), architectural educator, served as professor at the University of Texas School of Architecture and continues to serve the city through the Historic Landmarks Commission and the University as a champion of the preservation of the University's historic buildings, resident historian, and special friend to the Architecture and Planning Library. Creative works, correspondence, memoirs, printed material, minutes, maps, images, photographs, student work, slides, and artifacts, (1887-1995) created or collected by Drury Blakely Alexander, evidence his career in education and interests in architectural history and preservation.

A newspaper, the Lansing Republican, dated February 5, 1884, reprinted a story from the Grand Traverse Herald pointing out that the experiment to provide all-year service across the Straits by boat had failed, and that if a great east-west route were ever to be established through Michigan a bridge or tunnel would be required. The editor considered both as practicable; the only question in his mind was that of cost.

One of the most interesting papers presented to the American Society of Engineers at the Seabright Convention is that of Mr. THEODORE COOPER on "American Railway Bridges." It is interesting from the historical matter contained in it, and here first systematically gathered together, and valuable as showing the progress of a branch of engineering that has made our country famous for its works of this nature. The paper is necessarily long, so that we cannot publish it in full, even did the rules of the society permit, and we must content ourselves with the following abstract. We congratulate Mr. COOPER upon the success attending his efforts to unearth and arrange much matter relating to the early history of wooden bridge building that has usually been considered inaccessible.

Aware that control of the country's river systems would important to both sides in the Civil War, Eads proposed the U.S. government invest in the development of steam-powered, ironclad warships. Eads made his proposal before the war, but his idea was coolly received. When he was awarded a contract, he employed upwards of 4,000 men to build the U.S. ironclad armada that would prove decisive in Union efforts against Forts Henry and Donelson, at Memphis, Island No. 10, Vicksburg, and Mobile Bay. In a remarkable feat Eads turned out his first ironclad 45 days after he began production. The ironclad idea would be adopted by the Confederacy and both sides would improve on Eads' idea throughout the war. After the war Eads found a new project, the spanning of the Mississippi with a suitable bridge to carry everything from people to trains. The self-trained engineer proposed a triple-arch design fabricated from steel. Each span was roughly 500 hundred feet and rested on piers resting on bedrock some 100 feet beneath the river bottom. The building of the arches involved steel supplied by Andrew Carnegie's steel works. Eads required that the 18 inch diameter hollow tubes conform to a test strength of 60,000 pounds. Many times during construction steel was returned to be re-rolled so that it might meet Eads' exacting standards. Keeping the shipping lanes open was necessary during construction, so Eads designed a cantilever system to support the unjoined arches. A system of pulleys stretched over the piers and supported the arches. Eads was also innovative in that he employed a threaded iron plug to close the arches. He allowed five inches on each arch to be used for threading the plug and closing the distance between the arches. The Eads Bridge was the largest of its kind and quickly became world renowned.

A gift of John F. Harbeson, the archive consists of Cret's student and professional work and is displayed on approximately four hundred and seventy-six sheets containing one or more drawings, photos, or prints per sheet. The archival holdings may be broadly divided into eighty-eight sheets of student work at the Ecole des Beaux Arts in Lyon and Paris, fifty-three student and professional watercolors, thirteen sheets of bookplates, seals, medals and title pages, fifty-six sheets of competitions (thirty-two of various university designs), nine sheets of commercial work, one hundred and two of memorials, twenty-two sheets of government buildings, twelve residential designs, twenty-one sheets of bridge designs, five sheets of watercolors and ink sketches by Col. Oscar Lahalle (Cret's father-in-law), and one hundred and eleven sheets of varied design work.